To memory &my poem ‘Oedipus is Man’
A laurel
of carrion flowersfor carrion birds of the literary firmament.
There is
nothing worthy about being the patient scavenger
Itis the
nature of the carrion crows,they make a feast of cadavers.
A thief
online masking in pseudonyms, the online literary synonyms
OfBoko
haram the plagiarist the ‘book-haram’ thieves,
This is no
robinhood shrewdness neither promethean
For they
were shrewd to give humanity a beefy feast
And not
one that make humanity a feast of carrions.
I wait for
one skeletal example to manifest in cadaverous flesh
And I shall
do you the autopsy of a skeleton barely free
From our
shadows, and I may not even show you for
You may
see the skeleton concealed in a dead work barely fleshed
The work
of the plagiarist a carrion flower a putrid rotten originality.
Be
watchful of the plagiarism of shadows of death, it is a price of liberty.
The
vulture is a patient bird they say
But one who
makes feast from being the patient scavenger
And no one
wants to be invited to such a feast except carrion birds.
History is
necessary a background check of the origin of such natures
Of robbery
night robber midnight robber armed robber book robber
© Omoluabi
S. Simpa
Riding with savage nobility with no sword but scales
I hurt not the oil nor the wine, hell followed not me but I wish it did
To burn the ‘House of Lords’. I horseman wine-lover with scales
Advocating for a balance in quotient of our crude oil,
I centaur with my hoofs drumming the heart of God
To the rhythms of Olokun-Dionysus to give the lord heart attack.
The Gates of GOD is the spiritual birthplace and the ‘watchword
At Heavensgate’ is the Lord our uprightness Christ our Lord
The child of God the uprightness of man risen once and for all
By which beyond the night of death‘all’ shall climax in heavenly ecstasy
Within the Gates of GOD vaginal beyond imagination.
All ye gaddamned polytheist and pantheist, gaddamned pagans
Goddamned to suffer in the wilderness as eunuchs outside the Gates
Can only be redeemed in Christ your uprightness to strike parent-GOD
For the price of heaven’s homecoming is committing the original sin.
And all ye idolaters for rejecting ‘Christ’ your uprightness
For rejecting to commit the original sin all ye idolaters stand impotent
Before the Gates of Heaven the Gates of GOD Babel
From which we are originated, and Angelus domini Lucifer archrebel
Set to kill the LORD to give the LORD a cardiac arrest,
For GOD is Satan ruler of Babylon the Slavegod the gods tried to recreate in Eve,
And Adam the horseman the one who initiated the debacle of Eden
With the help of Lucifer the help of Olokun for Almighty GOD is Satan
And the original sin is slavery and hardship suffered in the land
Where you are son of the soil Aganju child of the soil Adam made from the earth.
The LORD IS SATAN cry at the roof tops the LORD IS SATAN
And this is not hallelujah, this is not hosanna
Far be it from hosanna far be it from hallelujah!
Olokhae is
the variant of Bacchae for Olokun as Dionysus in the play ‘Adam and Eve and the
Marriage God’
© Omoluabi
S. Simpa
LXXX
See, do
not hold your mirror of a moon
Against me
for too long face of the noon;
Behind the
rite I hear your smack and hiss
Like I and
Margaret at a broken kiss.
Gracing my
porch nubile Nubian pillars,
From wheat
of dreams they separate tares.
Arise o
Sunlight, come outshine the stars,
Daybreak
be quick to eclipse my nightmares.
Hail me
that who scrubbed with her tears
And on the
stairs rising the Sun did spread
For the
pollen feet of the Sun to tread:
You are
the harbinger Edo Maiden
That
unwound the morning into my den.
HEART OF LIBERTY (beginning stanzas)
All things began with a virgin whored
nothing began until Love was made.
In the beginning Love
was made,
and there was a rite, there was a sacrifice,
the orchid of the seasons,
it ran red an endless rage of red:
backstabbing the Virgin of the era
the Love of God the Love of ages,
heartbreak of the world.
To You whom I try to know in the shrines of light,
the Florist of heads,
make me bouquets to take to the ones I love.
Flowers out of the
shining,
Ikemefuna...
Hemorrhage on the earth,
the heart of the universe was the meeting place,
the earth was the conclave of the gods:
they had their conscience soaked
in the relentlessness of the wound of a
heart,
no stain could be purer,
nothing pure could be purer:
the laurels of the first Virgin
haunted the gods...
They washed their feet
in the blood of light
and the everlasting contingence
was that the thought of light
became their shadow of agony.
Chosen from the laymen
the high ones across...the lambent petals
harrowing deities.
The Patient Dog (A flash sonnet)
Fourteen
year Mumbi, her elder siblings and father
arrived
the new refugee camp, Katakuta, last night.
They were
apportioned a tent,
each given
an aluminum bowl, and were told
whenever
they hear the bell ringing it is for feeding,
so the
bell rang this morning
and they
joined the food rush.
Afterwards
Mumbi returned tearful.
Her father
asked, ‘What’s the problem?’
She
responded, ‘I got almost nothing.
I was
being patient for the rush to die.’
The father
replied,
‘What else
does the patient dog ends with
after
others had licked the meat?
It ends
with nothing but the bone.’
SONNET 59
Who sees the wind? Who has eyes for the wind?
But still the wind suits its nudity
With leaves dead and dry quick through the city.
Let the wind suit itself though we see her with eyes blind.
Who was is it that fell asleep at Olokun’s waterhole?
Who was it that fell asleep sitting on the bamboo pole?
Who would it be but the great Alamu
Who sweetens with palmwine his akamu.
He who gathers honey gathers a good thing,
He who gathers falsely is the vulture that invites
His community for a feast of carcass.
If you come to visit me remember not to bring
A feast full of lies, but bring of truthful rites
For the wine of truth is gift to heaven’s pass.
Oedipus Is Man
(Sonnet 30)
Oedipus is a fit case for mankind
Allegory for our industriousness
That by ourselves we shall make ourselves blind
In tune with the mantid that gross darkness
Shall fall on the world, visions of the isle
Of Patmos, bringing a walk down an aisle.
Should we be hopeful like the Prodigal?
Should we accept our fate like Frankenstein?
Is it to a fearsome end so dismal
We ride a fate stronger than any rein?
I’ve killed the white cooing dove in a heart
I have drank the dew of poisonous blossoms
I have sweetened my cup of tea with nectar of deadly flowers
And now I uphold icecone fire to the immortal secret.
To the play ‘ADAM
AND EVE AND THE MARRIAGE GOD’
That Adam refused to slay Eve
That Prometheus failed to snuff the life of Pandora
That Prometheus or Adam absconded with Yemoja
That Adam did not destroy Eve
The gods sought revenge without repentance.
And Adam gave the gods a wound for a heart
For they were heartless, they were the lord, the slavemasters.
The gods menstruated without cease
And the ultimate crime was that Adam refused to kill Yemoja,
Adam refused to kill Eve.
Adam is Prometheus caught in the put out paradox.
And Adam gave the gods a wound for a heart
A wound that bled like a woman with an issue healed by Christ.
The gods on flashback told themselves a fancy,
A fancy of Perseus beheading Medusa,
Wishing they could reverse the irrevocable
Wishing they could revoke the irrevertible
Wishing Adam had destroyed Eve, instead Olokun Adam slew.
Adam rode into Babel with Eve
Adam drove into the towers with Yemoja
Adam or Prometheus drove in with the source of light
And by an indescribable beauty, a mornster, an enslaved nation
Were electrified, lightened up and enlivened
They ran amok in ecstasy into a freedom of expression
In a freedom of speech, and the towers
Like breasts peaked and arranged against the sky
Was brought to collapse for Babel tower was the tower of imperialism
The story of the tower of Babel is the story of primal slavery
Into which Adam rode in with the beast, for Eve was the beast.
Must-not-mention
Name of God (Sonnet 32)
Our Turtle doveliness with a battlefield for heart
Sing us wild with vintage-chorus wild with nectar-song
That I, an implanted aster with the burden of proof
In the scarlet soul of the Infinite, beneath a blue-sky roof
At the worship place of lightning and blood play my part
In this macabre four stage act of a requiem song.
If Oedipus is man and man God by surname being heaven’s children,
That Oedipus had his mother for starters it means
The fertile farm patch of God is tilled by the child, true,
The queen-bee by which all is begotten, the mother.
I black lark of paradise dare not to concur
I telltale laden cock of the Garden fear not to concur;
The wording for the one that fucks the child must be
The incommunicable name of God in the Hebraic code.
Belshazzar ‘MĒNE, MĒNE…’
Suffused with penis envy,
Suffused with phallic
jealousy,
The inbirth of
vengefulness,
The innate desire to strike
back.
Heaven is not for the weak
minded one
The heavenly minded will
tell you
Heaven is for the strong.
We are all desirous with
the needfulness to feel strong
The desire to be capable of
penetrating the heart of others.
And the authority ruling
with the rod,
the corrupt presidential
authority,
The estafa gubernatorial and parliamentary authority,
All slave commanders of
hardships,
Legislative captains
piloting us, the commoners, in hardships,
And in hardship the human
heart harden in evolution
And thus the genius loci in ‘Naijaland’
Is become homosexually
stimulating,
We are all become faggots
For our minds are toughened
like the rod of steel
Against an uncircumcised
orgiastic establishment ruling a rod.
But then becoming
‘homosexuals’
Should be a strive to give
heart
To a heartless government,
Give them a heart as Adam
gave the gods a wound for a heart.
And unto you el presidente
Belshazzar and your acolyte Babylonia captains
Of ‘Naijaland’ I say: ‘MĒNE,
MĒNE, TĒKEL, U-PHÄRSHIN’…
Tears Of Doves (Sonnet 28)
Each tear you shed child
Is a million moments of drowning if there be hell
In the offing of hell for a Boko-haram that touches you;
So cry. Child your tears have gathered
To a crystal confluence of tearpond;
Tearpond precious than the rivers of Jordan
Precious than the waters of Medina
Tearpond before which the waters of any holy land is unholy.
See my eyes they turn hibiscuses’ red
Night and day crying tears of loss for you.
See your eyes, they ruby with tears;
The eyes of my dove are the defiance of rubies in captivity.
The eyes of my dove are immaculate red
With blood brighter than the fires of revolutions
Ablaze on her wept-tide face, my child my sister my daughter,
Child whose broken being bleeds the brightest ever,
Child whose broken being gushes incarnate red in my soul.
SONNET 46
So immeasurable our sacrifice long beyond continence
That unfortunately nothing could dissuade us
From finding the truth of corruption so erotic,
And with hard minds we have become combatants of fortune
That we said: to hell with the prophylactics, and this action
Of flagrance has left the resolute marrows of our nationhood
Venereal stricken. We should feel tearfully sorry for
Ourselves that two demagogues… raises so much excitement.
Is it the brain drain that has left us with two demagogues
As eligible statesmen for presidency?
It inclines to suffice we are impotently endowed.
But then let these two demagogues and their
henchmen
Know that whatever may come this is it;
In the disclosure of the secrets that reveal the lies
A prolonged sacrifice turns us all to swordsmen,
Petrified, stiff sacrifices make the heart long for the battle field.
SONNET 49 Babylon
Babel’s tower, tribute to Prophet Moses
Babel the slavery empire where souls did beseech their lords
Like gods who enslaved them to build on earth a kingdom heavenly.
If this be the gates of God the Lord must be queenly
And the speech of God is the freedom of speech.
Mon amour know that if I had a tower to build
You shall be the ideal model, by you one sees the true tale of Babel
and glossolalia where liberty, independence was sought from the
imperialist by slave colonies like in Nigeria speaking diverse
tongues and other colonies who in anarchy like in Babel fought to
be free, and like you the dreadful beauty of the uprising
Wild with uncontrollable ecstasy, they rise up in arms,
In solidarity moved with the ‘watchword at heavensgate’
And fought to give the heartless lords a wound for a heart.
SONNET
66 Jephthah’s Daughter
The gods spited Eve spited Yemoja
Due to weakness for Adam the horseman
For unlike Jephthah’s only child and daughter
Eve could not honour them with her death but ran
And Adam became the horseman of death
For the great mask of death was worn by Eve.
When he unveiled her he could not believe
The beauty he saw and straight for the Earth
They took great flight, fugitive from the gods
And they were called the strange maiden love birds.
What kind of God would accept Jephthah’s sacrifice?
A manner of God so longing for ‘pure’ orifice.
Jephthah’s daughter was braver than the whole of Israel put together
And she was left nameless in the holy book like David’s mother.
(Fragments of a poem
written in twenty-syllabic tristichs)
In the great light of truth
Fowls of power failure night birds
Owls sunglass their myopic minds
Out
of gloom they loom
Unsloughed offshoots of
dark minds
Bokoharam come for
Moremis
Masquerades of our gloom
Weighing down in forests
Captive hearts with
millstones of hardship
Oduduwa means our gloom
Babel is Babylon
And Bokoharam the masked
ones
Bokoharam masquerades
Of oduduwa of our
beloved
Babel Nigeria
See them Bokoharam
Uncircumcised
manifestations
Of the shadows of death
O, we see the king
coronated
With sunglasses masking
The eyes symbols of
light
Oduduwa means our black
heritage
Bokoharam vi’lates
Our black heritage
Bokoharam like all
monsters
Thrive at night but are
false mornstars
They are false
starlights.
Bats need sunglass
For the eyes of the mind
My king take off them
sunglasses for daylight
Yemoja, Eve, was worn
the mask of death
By which sunlight was
eclipsed
In
Paradise
If thou
king art a bat
Then
you’re head of the masked chorus
In this
gloom of our hardship
Best man
Adam horseman of the engagement
Come
unveil the mask
And
cuckold your lord
Revelation
horseman
I smell
the apocalyptic scents
Of the
engagement wound
Adam
centaur of truth
Riding
away with beauty
Wave your
trophy the mask of death
In still
silence
Hearts of
Fatimas ache
Come lift
this yashmak of my Eveline purdah
That
others wish you in disguise
Is the
true evil;
Let’s
dispossess all masks of Eve
FOR THE MAIDS OF CHIBOK
Nightmare
in a chimerical splendor of ember-hearted pigeons
moving
aloft to the sunset
while
women, old and young, out of grain fields
bemoan the
seraph of daybreak in the dunes of nightfall.
Of over
two-hundred dove eyes enflamed with blood
tears in
God’s cruet to make pure the cry ...
Essence
from twilight petals may we not fail to distill
of the
martyrdom of the hundreds of Chibok maids,
that we
may dephalliateBokharam
and by
projectiles send them homewards
where they
be eunuchs of paradise.
Initiated
in the age of the stars, violation is the original sin,
when the
origin of man, the origin of dawn, was sacrileged...
a stardom
prenatal desecration of the sacrifice for life,
an
incursive cud chewed in the maidens of Chibok and more.......
Tell the world, ye
sunlarks of the nebulous,
that the altar of truth
is the secret of the beautiful,
that the power of beauty
is the precious touchstone
of righteousness, and
truth is the power of beauty,
the center of attraction
to the bearers of the inconstant blades of justification.
From the stain of roses
may heaven vindicate her poet,
may beauty uphold all
from the fall of grace.
O force of beauty, the
centripetal image of the messiah,
make the midwives of
rebirth in the moon tide dance
to the rhythms of valour
weaved by eagle hearted tattoos of the supra maidens of Chibok,
and of the ineffable
flowers, tribute of God to your souls O maids
feed my terrestrial
taste with honey,
honey made from nectars
of the everliving flowers of the sky.
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